254 pages
Size: 6" x 9"
Language(s): English
Additional Artists
APRIL 1915. On the day of their church wedding, the civil engineer Fritz Sigrist and the nurse Clara Hilty take the train from Werdenberg (Switzerland) and travel through the war zone across the Balkans to southeastern Turkey. After Turkey’s involvement in World War I as Germany’s ally, it was certainly not the ideal place for a honeymoon, but Fritz had been working on the construction of the Baghdad railway since 1910. After a short stop in Constantinople, the newlywed couple settled down for a few months in Entilli, then for three years in Keller.
Shortly after their arrival in Turkey, the Armenian deportations began, and thousands of Armenians were marched past their front door. For three years the couple witnessed “the lapsing of human lights down there in the steep gorge” while they lived their everyday life in their little house on the remote hillside. A visit to Aleppo and the Katma concentration camps makes them realize that what they were seeing in Keller on a daily basis was nothing less than premeditated death marches, i.e., the Armenian Genocide. Things become worse when the skilled Armenian workers - actively involved in the Baghdad railway construction - are also forced to join those death marches.
Clara records the atrocities, first in her journal, later in a memoir or a special eyewitness account. Fritz in his turn, writes two stories and a letter on the subject.
Dora Sakayan has deciphered the Swiss archive documents written mostly in Gothic handwriting and has meticulously processed them and embedded them in the historic events of the time. Moreover, based on a 1970 memoir by Haig Aramian, Sakayan recounts the adventurous story of how in June 1916 the Sigrist-Hilty couple helped their Armenian storehouse manager Aramian escape certain death.
Dora Sakayan’s book consists of three parts, each one dedicated to the life and writings of one of the three individuals: Clara Hilty, Fritz Sigrist, and Haig Aramian. An organic interplay of primary and secondary texts relates to the reader a coherent real-life story - one of extreme human suffering and pain, but also of Christian charity, compassion, and selflessness.